After seven movies featuring teenagers getting slaughtered at Camp
Crystal Lake, it seems the filmmakers finally decided to change locales
with 1989’s Friday the 13th Part VIII: Jason Takes Manhattan.
However, the title is misleading, as Jason doesn’t arrive in Manhattan
until more than an hour through the film, and even then, it’s Vancouver
doing a poor job of standing in for New York.
The film begins
with a brief prologue in New York, but quickly moves to Crystal Lake,
where Jason offs two teens, then commandeers their boat and heads up the
river to the ocean. Yes, Crystal Lake somehow leads to the
ocean. Once there, Jason climbs on board a cruise ship that’s carrying a
high school class to New York for their senior trip. Rennie (Jensen
Daggett) is our obvious Final Girl, a writer who has
visions/hallucinations of Jason as a child. Also along for the ride are
Rennie’s boyfriend Sean (Scott Reeves), who feels pressured to live up
to his captain father’s expectations; rocker chick JJ (Saffron
Henderson), who has apparently not mastered the art of actual
guitar-playing or air guitar-playing; b!tchy blonde Tamara (Sharlene
Martin), who tries to blackmail her teacher with a biology project which
consists of her getting half-naked; and Rennie’s uncle Charles
McCulloch (Peter Mark Richman), who’s also the biology teacher Tamara
attempts to seduce.
Interestingly enough, the crew consists
only of two people, both of whom are killed early on, leaving Sean to
take over as captain. McCulloch doesn’t give him time to grieve for his
dead father before criticizing his lack of nautical knowledge.
McCulloch also accuses the deckhand, who’s been popping up to warn the
travelers that “this voyage is doomed,” of committing the murders. Richman really makes you hate this asshole. At least he inspires some emotion; words cannot describe just how dull Rennie is.
When the survivors finally make it to Manhattan (side note: one is
positively jubilant, singing a song, completely unperturbed by the
bloodbath that claimed nearly all of his classmates), it is revealed to
be a cesspool. Rennie is almost immediately kidnapped, drugged, and
nearly raped by some gangbangers; a hulking zombie killer doesn’t turn
heads on the street; rats swim in barrels of toxic waste; and said toxic
waste empties into the sewers every night at midnight. Bafflingly,
Jason has a smorgasbord of potential New York victims, but ignores them
all, only interested in the survivors from the ship. He even turns down
the chance to take down a group of street punks, opting instead to
simply lift his mask to frighten them away. At least he destroys their
awesome boom box.
As usual, Jason Takes Manhattan
was censored by the MPAA, but there are still some memorable death
scenes, such as a rooftop boxing match between Jason and a tough guy
which ends in a decapitation, a dirty syringe through the chest, and a
hot sauna rock to the torso. Kane Hodder returns as Jason, and he
succeeds at standing and looking menacing. The role no longer requires
much walking, as the character seems to have become an expert at
teleportation. Unfortunately, the climactic final battle is pitiable,
and it’s best to chalk it up as another of Rennie’s hallucinations.
For all its flaws, this movie doesn’t really get boring, and it is
refreshing to see Jason away from Crystal Lake. His reaction to the
billboard which he spots upon arriving in New York is priceless. Of
course, I wish the title weren’t so misleading, but I suppose no one
would have turned out for Jason Takes a Cruise or Jason Takes Vancouver.
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