Writer/director Frank Henenlotter followed up his cult classic debut Basket Case with a film that's just as out there, 1988's Brain Damage. 
 A parasitic worm named Aylmer escapes his elderly "owners" and makes 
the acquaintance of a young man named Brian (Rick Hearst).  Aylmer comes
 equipped with some blue juice which he injects into his host's brains, 
making Brian see lots of pretty colors.  Brian is immediately addicted 
to the juice, and he's so wrapped up in his psychedelic hallucinations 
that he doesn't even realize that Aylmer is sucking people's brains.  
And once he finds out, kicking the habit won't be that easy.
"This
 is the start of your new life, Brian.  A life without worry or pain or 
loneliness, a life filled instead with colors and music and euphoria."
- Aylmer
When
 Aylmer first appears, grinning broadly and chirping, "Hi!" in a 
ridiculously chipper voice, it is utterly delightful.  John Zacherle 
voices Aylmer like a kindly grandfather or a Disney announcer, and his 
pleasant-sounding voice conflicts nicely with the fact that he's a 
parasitic phallic-looking brain-devouring slug.  Aylmer knows that he is
 the one in control in this relationship, and the scene in which he and 
Brian engage in a battle of wills to see who can go without whom the 
longest is executed extremely well.  Aylmer taunts Brian, laughing at 
him, mocking him, and even singing a show tune as Brian writhes in 
agony.  It's hilarious in a demented way, but also surprisingly 
harrowing.  The story is obviously a metaphor for drug addiction, and 
Henenlotter pulls it off without it feeling heavy-handed.
The 
violence is gruesome and over-the-top, with at least two outrageously 
unforgettable sequences: in one, a whole mess of brain matter is pulled 
out of an ear; in another, a woman finds an unexpected surprise when she
 goes down on Brian.  Smaller effects, such as a plate of meatballs 
turning into tiny, pulsating brains, are also well done.
With the
 exception of Hearst, who manages to make Brian a sympathetic, 
believable character, the acting is pretty poor.  Jennifer Lowry is 
bland as Brian's girlfriend (who deals with his junkie-like behavior by 
hopping into bed with his sleazy brother), while Theo Barnes and Lucille
 Saint-Peter grossly overact as Aylmer's former owners who want him 
back.  Additionally, there are some really awkward scenes, including 
Brian's hallucination of a threesome with his girlfriend and his 
brother, which the film could have done without.
However, these are minor issues, as Brain Damage is a truly twisted, batshit insane, gorily inventive gem that's unlike anything else out there.
 
More movies should be designed as musicals starring parasitic slugs. There's pretty much just this one and the original "Sound of Music", and even that one got a big-budget remake with Julie Andrews totally altering the slug's part. Also, more movies should recognize that people named "Brian" are more sympathetic, believable, and good at acting than anyone else. Thanks for drawing our attention to this excellent role model.
ReplyDeleteThe movie also makes it clear that people named Brian enjoy pretty colors, dislike the name "Elmer," and are displeased upon discovering blood in their underwear. Who can't identify with that?
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